Slow Ride

One of your favorite albums slowed to 33rpm and ripped, creating something that sounds like the most monstrous crust band of all time. A new way to listen to an old classic. Don't sue me. And this post is dedicated to the memory of Matty Luv, who left the earth exactly eight years ago.

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Haystacks Balboa

Here's some hairy, hophead, hard rock from Haystacks Balboa. With particularly heavy guitars ala Mountain or Grand Funk, wailing Hammond organ, and a hog's head full of swagger and stomp. It's kind of a wonder this album, Haystack's second release, isn't on the wishlist of every sad-eyed, stoner record nerd with a penchant for '70s oddball riffage. Settle into some classic ratweed rocking from 197? with few seeds or stems. You deserve it, brothers and sisters.

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Imynvokad

Imynvokad is an extremely shrouded Black Metal band from Austin, Texas. Sole member Beleseth, also plays in Thra'el. This excellent 7", titled Ad Ordine Descendens, was released earlier this year by Pale Horse Recordings. It contains two tracks of well-performed traditional Black Metal that brings to mind Horna or earlier Deathspell Omega. Like the recently posted Eschaton, and that Slidhr demo we loved a while back, this is kind of orthodox approach is often needed to remind us how good no-frills Black Metal can be. You should buy this and play it loud late at night.

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Sex Style

I shouldn't have to explain to you how Kool Keith is the greatest, most gifted emcee in the game. I shouldn't have to remind you how this prolific eccentric genius is miles ahead of his competition at all times. Sex Style was Keith's 1997 album, his first solo effort after leaving Ultramagnetic MCs. Sex Style pushed boundaries in production, lyricism, and flow. It is a mindblowing accomplishment on all fronts that maybe turned a lot people off because of the cover art and title. At the albums onset, a Rudy Ray Moore sample establishes Keith as one who sympathizes with mack, pimp, and ho.The title track is a sleazy, sinister boast that mentions bestiality, indecent exposure, water sports, rim jobs, transexuals, masturbation, S&M, Madonna, all while KK explains why he is ultimately better than you. This sets the tone for the rest of Sex Style. Keith makes it a point to push forth two main points: He likes kinky sex and he is the best rapper in the world. Kool Keith also lays out his distaste for the industry in the track "Plastic World." More boasts, more deviant sexual behavior, more hooks, more beats, and Sex Style is over in an hour like a seedy encounter at the Sunset Gardens motel.

Drink My Piss

Badge

Badge, another unsung NWOBHM band that only managed to eke out one single during their run. The A side, "Silver Woman" is an infectious bar rock stomper, while the B side contains the obligatory chick ballad that found it's way on so many of these rare NWOBHM singles and demos. I think many of England's young hopefuls at the time self-released singles, of varying quality, in hopes of landing a deal, and being the next Maiden or Def Leppard. Listening to this one in particular, it isn't hard to understand why Badge isn't a household name. It doesn't really stand to reason that their anthemic songs aren't blaring in every titty bar from Manchester to Manchuria, they simply weren't all that good, but this little record is worth it for "Silver Woman" alone.

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The Cheifs

How fucking cool is this little EP? Not a whole lot is known about The Cheifs We do know they were from L.A., and if you were paying attention to side 4 of Black Flag's Everything Went Black you know these hardened beach punks rocked in the trenches of legendary holes like The Fleetwood, The Masque and The Whisky alongside Flag, The Stains, The Mau Maus. Cops would come and pound punker skull, and the scourge of punk was a panic inducer as seen on episodes of Quincy, and CHiPs. I have no idea what year this came out, or who released it, all I know is that it seers with So Cal hot weather disdain, and rocks hard too. Why so fucking mysterious?

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As Sahar

The Singapore Black Metal scene is a fascinating one. There are many bands to check out, but let's start with one of the oldest and coldest. As Sahar are a rather orthodox Black Metal from the region who tumbled from the vagina of the goat sometime around 1993. Their seventeen year commitment to no-fucking-around Black Metal has earned them the respect as one of Southeast Asia's most feral hordes. The band formed out of the smoldering nuclear ash of the legendary Singapura Satanic death/thrash act, Ethos. As Sahar have a staggering discography, and I imagine that most of this stuff isn't exactly available at Best Buy between Arsis and Atreyu, so if you are sitting on anything by As Sahar then you should share it. I will start it off by sharing the Casus Luciferi ep, which is really just a 1997 reissue of their first demo Primitively Eastern Winds from '93. In 1993 Black Metal was still pretty new, and probably even newer to Singapore, as a result As Sahar, at this point, still seem to have some more thrash and even '80s hardcore elements to their proto-Black Metal. Bow before the might of As Sahar!!!

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太陽の皇子

YBO² was a strange band from Tokyo whose personnel during their six year run reads like a veritable who's who of Japanese avant garde music, most notably members who went on to form Ruins, Zeni Geva, CCCC, Ghost...However the band was mainly the work of Matashi Kitamura who would go on to start Trans Records and later, SSE Communications. Here is YBO²'s 1986 ep Tayou No Ouiji. I am going to stop here, describing YBO² would be as easy as teaching someone how to get punched in the mind.

死んだ太陽の上昇

Adversary

Adversary, another Swedish death metal band rotting in obscurity. These morbid minors wallowed in the bullshit town of Sandviken, a town known for a steel mill and bandy, which is some kind of ice hockey thing. Remains of an Art Forgotten would be the band's last (of three) self-released demos. For this recording, Adversary called on their bro, Matti Karki (Carnage, Dismember) to lend his burly pipes. It's Swedish, it's death metal. You pretty much know what this is like already.

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It's a Trap!!!

Here's Japanese hardcore record that doesn't get much attention, Client's 1988 Trap ep. Client give you all the trappings of ripping far eastern fastcore violence in these six songs; gruff vocals, metal tendencies, weird guitar solos, and breakneck speeds. Not as compelling as G.I.S.M. or Zouo but still worth a listen.

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The Revelation of Higher Mysteries

Deviser are a pretty odd, thrashy black metal band from Greece whose history can be traced back to 1988. This EP, The Revelation of Higher Mysteries was recorded and released in 1994. It has obvious production problems and a rickety performance, but still manages to capture a certain old school atmosphere and mystique that is nearly extinct in metal today. Deviser cram a lot into these three tracks, a scant nine and a half minutes, with secret rites, Lovecraftian horrors, gore, maggots, and a name drop to both Crowley and Manson. Excellent Hellenic kult weirdness.

Μυστήριος

INSANE!!!

You all seem to respond to the posts about these early FWOSHM (first wave of Swedish Heavy Metal) bands, so I am excited to share with you all one of my favorite of these obscure recordings, Insane's Games of the World demo from 1983. Insane hailed from the bullshit town of Oskarshamn, a town known for it's nuclear power plant. We have well established that these young Swedish metal bands all seem to share a natural, naive charm and a seemingly endless joy in playing no-frills Heavy Metal, Insane is no different really. Insane's songwriting craft was a step above the milieu, these songs will stick like peanut butter in your pubes (don't ask how it got there.) Lyrically they deal in the usual metal topics: evil, knights, swords...but then there is the track "Living and Loving (and Dying For You)" in which front dude, Freddy Kuk, woefully croons about finding out that his favorite flicka is, in fact, a lesbian. Tough break, Kuk. Games of The World is so insanely great that is should be filed under "if you don't love this you are a dick."

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Catatonics

The Catatonics were probably the best thing about Flipside's Vinyl Fanzine 2, and yet this 1984 EP remains relatively unknown. These speed-obsessed punks called Syracuse home but don't let that fill your head with images of privileged, thick-necked, sweatshirt-clad mosh monkey assholes, The Catatonics were the real deal, hardcore when that meant something.

Hunted

Bulbous Creation

Here's some rather maudlin psych/hard blues rock goodness from a little known Missouri band called Bulbous Creation. This album, You Won't Remember Dying, was recorded in 1971 but didn't see a proper release until 1994 when the good folks at Rockadelic Records saved it from obscurity. There is a basement charm to this album that reminds me a bit of some of the Zambian treasures featured here on the Hearse, especially on the track "Satan." Sometimes albums like this can cause a mild panic in me, like how many balding insurance salesmen across the U.S. had amazing psych bands when they were in college that recorded something, but never got that deal they hoped for? What if we never hear that shit?

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Amon Sul

Ready for some Black Metal weirdness from France? This is Amon Sul, a bizarre trio from Calais. They seem to be going for an Immortal sound on this 1995 tape, Goat Mit Uns, but are foiled by an obvious drum machine, fuzzy guitars, and odd keyboard flourishes. The results are mesmerizing. Things got confusing when the member 'Apostle of Despair' left Amon Sul and formed Vucub Came, who also released a demo called Goat Mit Uns with some of this same material on it. Amon Sul is supposedly active, but haven't recorded in over fifteen years. Shame really, with a run time of fourteen minutes Goat Mit Uns leaves me wanting more.

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Cast Iron Canaries

The Cast Iron Canaries were an exceptional band from Santa Cruz (and later San Francisco.) They sounded a lot like The Damned, had a charismatic frontman named Tony, were great guys and super fun to hang out with. Sometime around 1992ish they managed to record this fantastic 4 song demo. If it would have fell into the right mits I am certain these guys would have gotten rich and famous and done a lot of choice blow with famous assholes.

One night I was drunk and ambling through the tenderloin and I saw Tony and Jim waiting in line to see the Jesus Lizard. They asked if I was going to the show and I replied that I was way too drunk and broke to go. Tony insisted I see The Jesus Lizard and bought me a ticket. It was really nice of him to do and I think I repaid the gesture by getting even drunker and getting kicked out after throwing up on some girl's hair. She had nice hair.

Anyways, Tony, Jim, and/or Dave, if you should stumble upon this post, I love you guys, and hope you are all well, and safe, and happy.

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The Day of Wrath

How is it that you love Bathory's first album so much, but you seem wholly indifferent to Bulldozer's debut The Day of Wrath? Is it because they're Italian? Is it because you haven't been bombarded with pictures of people in Bulldozer shirts? Is it because bands seldom cover their songs? Is it because "AC Wild" is not as mysteriously cool a moniker as "Quorthon?" Is it because their logo is pink? I just don't fucking get you, man.

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Attack!!!

Arguably the most important and influential artifact of Swedish Hardcore is this EP by Mob 47. Mob 47 hailed from the very no bullshit town of Stockholm, they wanted to play faster than anyone else at the time, and they may have done just that. This was released in the extremely punk year of 1984.

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Befouled

If you went nutters for the oddball paranormally obsessed Black Metal fumblings of Ahulabrum you would do wise to check out this tape by Befouled By Flies, a side project of Ahulabrum's extremely mysterious members. The band's moniker is apt, this sounds like a pestilential swarm of buzzing insects. Nightmarish white noise black metal filth. Essential!!!!

Befouled

The New Manson Family

One of my favorite bands, Mighty Sphincter, released their first LP, The New Manson Family in 1986, and despite what the liner notes say, Alice Cooper did not produce this album. Weird that one of America's most compelling goth bands in the '80s would hail from Phoenix, Arizona, but all that heat and bad blotter acid permeates every Sphincter release, and only adds to the nauseating, whirling confusion of their sound. This band was wholly ignored and dismissed in their day, but now this style is all the rage, so maybe they can finally get receive the praise they deserved. I believe mainman Doug Clark has resurrected the Mighty Sphincter, maybe a new album? Fuck, I hope so.

Helter Skelter