The internet is a buzz with the sad news of Bob Johnston's death. Sucks it would take this horrible occasion to light a fire under my ass to get you the complete works of the band I have often touted as the best thing to come from Miami since 2 Live Crew. Supersonic, motherfucker.
Friday, October 19, 2012
R.I.P. Bobby Johnston
Sunday, September 16, 2012
Holy fuck, are you ready to fall in love with an obscure bit of punkified metal from the bullshit state of New Jersey? This gem was released in 1983 on the great Mutha Records, the concern that brought the world the brilliant Chronic Sick EP Cutest Band In Hardcore. The Beast were often associated with the Metal scene due to their contributions to the early Megaforce comp Born to Metalize, and while The Beast's material on that record are decent enough, they are by no means as awesome as the four blazing tracks on this EP. In fact, this isn't too far from what Chronic Sick were laying down. The opening track "The Beast" is the band's mission statement, it establishes The Beast as a no bullshit crew of leather jacket wrapped Jersey toughs who simply don't give a fuck, but can still lay down the hooks. This becomes more and more evident over the course of the next three songs. The secret weapons here are the absolutely charm slathered vocals of Scott Ruth. The guy is Danzig without the fanboy horror nerdisms, Rollins without the Manson/Jim Morrison affectations, but still remains Scott Ruth, Long Branch badass wise guy. Seriously, my words can't do this justice. This is one of those rare records that almost makes you ache this band didn't record more material. The amazing Devil Dick over at The Devil's Music Blog wrote a great and informative piece on The Beast and Mutha Records here, I'm going to shut up now, my ramblings shouldn't keep you from this bit of genius any longer.
Posted by Aesop at 12:12 AM 17 comments:
Labels: Classic Metal, Punk
Saturday, September 15, 2012
Here's a bit of youthful anger that may have eluded you the first time around in the 1980s. Perhaps you weren't born yet, perhaps you (like me) avoided the bulk of seemingly meat-headed Boston hardcore bands. Anyhoo, Last Rights was the short lived band of Jack "Choke" Kelly after the ridiculously awesome Negative FX and before the ridiculous Slapshot. Not as frantic as NFX and nothing about sports as was the case with Slapshot. The sound here is pretty standard Boston, reminding me of DYS. The B-side, "So Ends Our Night" even tells a typically Boston HC story of hanging out with your asshole buddies and beating someone up. Interesting factoid: some band called Dinosaur JR. covered "Chunks" on their album You're Living All Over Me.
Posted by Aesop at 12:00 AM 8 comments:
Friday, September 14, 2012
Yonkers, New York, a bullshit town known mostly for giving the world Anthrax (the band, not the disease,) Gene Krupa, and the morbid florist himself, Will Rahmer. Not really surprising that such a place would churn out some pretty sick metal in the early '90s. Deathrune spent this fertile time cranking out decent enough demos but never managed to get anything widely released before their demise in 1995. Guitarist Mike Saez would go on to play with Incantation, just like anyone else into Death Metal in the area. Beneath the Cypress Groves is the band's second demo, and it offers up a solid half hour of solid American Death Metal. Not as crushing as the Swedes, not as adept as those rednecks down in Florida, but still packing enough putrid riffage and atmosphere to be a keeper.
Posted by Aesop at 12:00 AM 3 comments:
Labels: Death Metal
Thursday, September 13, 2012
Iscariot were a gaggle of Heavy Metal hopefuls from Portland, Oregon. A bullshit town known mostly for craft beer and rain. In 1985 the band cranked out one cassette demo and it's not bad, not bad at all. Traditional Heavy Metal is served here with tinges of classic Doom. Dragons, kings, and demons provide lyrical inspiration and keep the proceedings fairly orthodox in the approach. I have asked a few Portlanders I know if they have any info on Iscariot, what became of them? But, alas, the info is as scarce as the eye teeth of a unicorn.
Posted by Aesop at 12:19 AM 7 comments:
Labels: Classic Metal
Wednesday, September 12, 2012
Stay True Or Die!!!
THIS BLOG IS NOT DEAD!!! Okay with that out of the way allow me to introduce you to a band I recently stumbled across who just blew me away with a youthful vigor and unyielding love for real Heavy Metal. No retro cool, no ironic facial hair, no tattoos, just five baby faced bangers from Daly City calling themselves Hell Fire. These duders are just barely out of high school and already outplaying many of the seasoned Shreddy Roosevelts out there, and doing it on some right crappy gear no less. Kind of sounding like the classic German bands Grave Digger and Helloween, Hell Fire also inject a bit of Bay Area dirt head thrash in their trip. They were cool enough to flow me this cool CDR demo with a the humble caveat that this is a bit outdated and may not be the best representation of the band. I tend to agree, the drums are a bit "suspicious" sounding and this piece of plastic can in no way truly convey the sheer joy of playing and charm Hell Fire overflow with in the live setting. Seriously, support these kids, they absolutely deserve it.
Posted by Aesop at 11:16 AM 11 comments:
Labels: Bay Area, Classic Metal, Thrash
Friday, June 15, 2012
The Tears that Wet Gethsemane
Hey everyone, I am taking a few days off for no other reason that I am way behind in some other projects. Also I want to address the recent influx of requests to re-up dead links since the great file sharing holocaust. I am still on the fence about what to do about it. I certainly can't re up everything. I was thinking of having every Saturday's post be a re-up of something lost, starting with some of the first posts. I understand it is a drag to read a paragraph that entices you so, only to find the link dead. I also want to thank all the people who subscribe, comment and contribute. Oh, and seriously, I appreciate and try to take the time to listen to all the stuff people send me, but it gets overwhelming at times and I sometimes miss stuff. I don't want to discourage people from sending things my way but I also want it clear that sending me something does not guarantee it will be posted. Also, if you DO send something you are implying that you do want it posted, if you do not, please say so. All contributions sent by publicists or with a generic form email will be rejected and ridiculed. Thank you.
Posted by Aesop at 10:20 AM 26 comments:
Thursday, June 14, 2012
Supuration were without a doubt France's best contribution to the ever flowing stream of global Death Metal in the early 1990's. The Creeping Unknown was the band's second EP and it is a fucking masterpiece. Sadly only two songs, but this young band crams enough strangeness and pummel into these tracks you might find yourself listening to this one several times in a row.
Posted by Aesop at 12:17 AM 4 comments:
Labels: Death Metal, France
Wednesday, June 13, 2012
Posted by Aesop at 12:45 AM 7 comments:
Labels: Japan, Japanese Hardcore, Punk
Tuesday, June 12, 2012
I think it's about time for another obscure compilation of spotty Heavy metal. Metallic Storm first dropped in 1982 courtesy of Ebony Records out of the UK. As far as I can tell, Ebony's sole output was a myriad of slapdash samplers of lesser known NWOBHM and Hard Rock, usually peppered with a few hidden gems, Metallic Storm, however, packs a lot of rough diamonds, and an early appearance by a young band from Denmark calling themselves Mercyful Fate. Following the King and his plucky pack of Danes comes the Econo-Judas Priest via Sunset Strip coke pablum from Tantrum, no thanks. Scimitar deliver an awesome charmer of a NWOBHM style tune called "That's The Way I Want It To Be." The unappealingly named Tarot Sutra contribute a clumsy 70's rocker that brings to mind images of wood -paneled dens, dirt weed and high school talent contests. Mean Machine are a hot mess of AC/DC-esque biker drool. I fucking love them. Confessor (not that one) are up next with an oddball keyboard and flange-slathered number that kind of comes off like W.A.S.P. meets The Stranglers. Jury show up in a glittery coke chariot of AOR schmaltz, but still not terrible. Wells Fargo (the band, not the bank) are pretty bad all around, but still better than Tantrum, they sound kind of drunk, I dig 'em. Mercinary are the blandest of the bunch, no real magic. Wykkyd Vikker are as corny as their name would indicate. Pentapus kind of sound like the younger brothers of those dirtbags in Mean Machine with their very NWOBHMish bath tub amphetamine scooter bitch rock. Detroit border on some cummy booger sugar mean street meandering with a confusing number called "USA Light," but even this one is pretty enjoyable, sleazy, poorly recorded... what's not to like. Moby Dick aren't nearly as heavy or dicky as their name might indicate, but their peppy AOR inspired pop metal is pretty infectious. All in all, Metallic Storm is a ridiculously fun listen, with every band (with the exception of Tantrum) offering something of value in their material. Also it almost seems that every band (with the exception of Mercyful Fate) are drunk. Metallic Storm may be a great album to get absolutely blotto blackout with. I fucking love this record. I think you will too.
Posted by Aesop at 12:11 AM 5 comments:
Labels: Classic Metal, Compilation, NWOBHM
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